One of the best parts of winning the Writers of the Future contest was the resultant entrée into the family of fellow winners, judges and other participants in the contest. That word “family” is chosen with care. On the whole, we are not the most social lot, but our common experiences and interests draw us together much like the shared history and blood of a family. And like any family, our network of relationships grows richer and deeper with each passing year as more friends, contacts, and experiences are woven in to the fold.
Last summer, my first WorldCon, was a week of “Hey, I know you from Facebook,” and, “I love this place–everyone gets my jokes.” In February, I attended Kevin J Anderson’s Superstar Writing workshop, and joined a whole other—but overlapping—family. This year’s WordCon (MidAmericon II, in Kansas City MO) had very much the character of a family reunion.
It started with a road trip. Several of us, led by my friend, Nebula nominee Martin Shoemaker, drove half way across Kansas to Hutchinson, home of the Kansas Cosmosphere, one of the finest space museums outside the Smithsonian. We had a little book signing and a backstage tour of the museum, and instead of showtunes—spent the drive catching up and talking shop. I even got to discuss novel construction and archaeology with my new friend Rosemary Claire Smith.
Then it was down to serious convention work—which for an up-and-coming writer, is less about attending panels than about “bar-con,” “hallway-con,” “street-con,” “lobby-con,” etc. Before the dealer floor was even open, I’d made new friends (hi Patrick) and hooked up with some of my WotF siblings in the halls.
On the dealer floor, I saw former WotF winner Matt Rotundo and finally met Brian Trent, (WotF 29) in the flesh. I checked in with Superstars friends Quincy J Allen and Alexi Vandenberg at the WordFire booth, and with Shahid Mahmud, publisher of Galaxy’s Edge. Last year, I got to sign Galaxy’s Edge with Larry Niven. This year, I had a nice chat with Jerry Pernell about how NASA ruined the space program.
I volunteered to give a lightning talk on debunking pseudoscience (thanks Leo!) and met fellow Analog writer, Alec Nevala-Lee. I volunteered at the SFWA table, where I chatted with Beth Cato about the future of energy, and at the SFWA suite where Clarkesworld publisher, Neil Clark and I bemoaned the soul-crushing tyranny of the bureaucratic workplace. I met F&SF publisher Charlie Finley, Karen Bovenmyer of Mothership Zeta, and Greg Hullender of Rocket Stack Rank. I also saw friends and anthologists, Alex Shvartsman and Bryan Thomas Schmidt, and got a manuscript request from my dream agent.
So that was nice.
I got word of an “Asimov’s Party,” which turned out to be a celebration for Penny Press. I walked in to find the suite blazoned with covers for Analog and Asimov’s and was pressed into service signing copies of the September Analog in which my story, “Dreams of the Rocket Men,” appears, then helping Asimov’s editor Sheila Williams cut the cake decorated with the issue cover. I know!
I wrapped up this auspicious evening by chatting about real estate with the legendary Stan Schmidt, telling jokes with Analog editor Trevor Quatri, and crashing the Tor party with long-time Analog veteran Dave Creek. Then it was back to bar-con.
If this all sounds like a whirlwind–it was. Then on Friday, Tangent Online publisher, Dave Truesdale made news by getting himself thrown out of the con for hijacking a panel and using it to attack diversity–and his panelists–and suggest we all wear “worry beads” to appease the “special snowflakes”.
(In fairness, Truesdale’s concerns are as worthy of discussion as anyone else’s, but the way he chose to address them was needlessly divisive and frankly, potentially dangerous.)
But we wrapped up the week with a dress-up-and-skip-the-Hugos dinner at a local seaford restaurant, where much writerly mirth was had.
So that was WorldCon. I came back exhausted and infected with con crud, and ready to crank out more stories than ever before. Thanks to my roomie, David Von Allmen, the always-dapper Allistair Kimble (above, right) and everyone else who made the week a warm, exciting adventure.
I’m on my way to Kansas to hear everyone say “when I was little, this was nothing but corn fields as far as you could see,” everywhere I go. But first, a bunch of us authors are Treking from WorldCon in Kansas City to Hutchinson to see the Cosmosphere, what I gather may be the best North American space museum outside the Smithsonian. Anyway, I’m eager to see Hutchinson; I grew up in the same small town in South Dakota.
HUTCHINSON—08/12/2016—A group of Science Fiction authors will take a break from the World Science Fiction Convention meeting in Kansas City next week to travel to the Cosmosphere for a book signing and tour on Tuesday, August 16th.
Several of the authors will hold a book signing at 1 p.m. The authors and their works are as follows:
Rosemary Claire Smith. Smith’s latest story is in the April 2016 issue of Analog Science Fiction and Fact: “Diamond Jim and the Dinosaurs”. Coming up will be a guest editorial in the November Analog: On the Money.
C Stuart Hardwick. Hardwick is a past winner of Writers of the Future. His latest story is “Dreams of the Rocket Men”, a tribute to the pioneers of rocketry in the current issue of Analog.
Daniel J. Davis, Steve Pantazis, and Martin L. Shoemaker were all 2014 winners of Writers of the Future. Daniel’s latest story is “The God Emperor of Lassie Point”, appearing in the anthology Alien Artifacts from Zombies Need Brains Publishing. Steve’s latest story, “The Devil Walks into a Bar”, appears in the current issue of Galaxy’s Edge magazine. Martin’s story “Today I Am Paul” (from Clarkesworld magazine) was nominated for a Nebula award and has appeared in Year’s Best Science Fiction: Thirty-third Annual Edition, The Best Science Fiction of the Year: Volume One, The Year’s Best Science Fiction and Fantasy, and eight international translations.
For more information about the book signing, contact Janet Fisher, group sales manager, at 620.665.9340.
The Cosmosphere International SciEd Center & Space Museum is located at 1100 North Plum in Hutchinson, KS. Its collection includes U.S. space artifacts second only to the Smithsonian’s National Air and Space Museum, and the largest collection of Russian space artifacts outside of Moscow.
Look for followup posts after convention week.
It’s here! It’s here!
Analog Science Fiction and Fact is the oldest scifi magazine in the world, the one I used to visit B’Dalton’s Booksellers in the mall for as a kid.
Am I excited that my story, “Dreams of the Rocket Men,” appears on page 83? A tad. Am I proud to appear in a magazine that has published literally every great author I admired growing up? The magazine my father-in-law knew as Astounding? The magazine that hit 1,000 issues and just kept going? The magazine that made John W. Campbell and Orson Scott Card famous? A smidge. Yeah.
I waited 8 months to hear back on my query, a year to see this cover, and now there’s just one thing left to do. Go write more stories.
Dreams of the Rocket Men is a Jim Baen Award finalist about a boy whose efforts to help a neighbor leads his life in new directions. Fellow Writers of the Future winner, Martin L. Shoemaker says of this story:
This story really reached me. It lives in the zone somewhere between Bradbury’s Dandelion Wine, Hickam’s Rocket Boys, and Heinlein’s Requiem… I felt myself pulled through time as a story that could have been set back in the 50s or 60s slowly moved forward… The effect was like the world expanding, and also growing brighter and less sepia…
EDIT: Check it out! This story is building some buzz. The issue was still hitting mailboxes when SFRevu declared it “Hugo worthy,” “Classic science fiction,” “Beautifully told.”
Check it out on newsstands everywhere (and leave your in-the-wild photos in comments!) If you like it, hey, let the Sturgeon award people hear from you, or nominate it for an Analog reader award, why not? And don’t forget to share this post using the social media links below!
In March of 2013, I switched from an extremely fatiguing standing desk to a simple, effective, DIY treadmill desk. By August, I was so pleased with this arrangement that I invested in a substantial upgrade.
Since then, I’ve had my ups and downs. The treadmill desk was a boon. I soon learned to cope with static electricity and blisters and to typing at a jaunt, and by the end of 2013, I was down to what I weighed on my wedding day. An injury forced me to lay off for a few months, but I eased back in and the beginning of this summer, I had run into a new problem.
My keyboard wasn’t cutting it.
If you follow any of my social media whatzits, you know I recently bought a Kinesis Advantage ergonomic keyboard.
Now, as Bryan Thomas Schmidt pointed out on Facebook, learning a new keyboard can really piss you off, but I went through some typing training and have found the Kinesis extremely compatible with continued touch typing on an ordinary QWERTY keyboard, and that it’s really those inferior layouts that annoy.
So the old execrable Microsoft keyboard went into hibernation, and the treadmill desk got a makeover:
This clean design replaces the slightly too-high, non-adjustable, hardware store wire shelf upper deck with a $30 Allsop Redmond adjustable notebook computer stand.
After playing with it for a few days, I found it a bit too tall at its lowest setting, so I just crushed the arms down a bit and voila.
Poplar veneer plywood, screwed to the stand, extends the new upper deck to accommodate a mouse beside the keyboard (I prefer the left). Black, non-slip shelf liner, securely attached with Scotch Poster Tape, gives both surfaces a neat appearance.
My Logitech T650 trackpad fits neatly and securely in the center of the Kinesis:And the mouse is easily swapped out for the Wacom tablet when it’s signature time:
And there you have it. It works great and I can type all I want, as fast as I want, without any hand pain, though I do need to make a little ramp to give the mouse a surface closer to horizontal.
I know the treadmill thing isn’t everyone’s cup of tea, but I hope these posts give you ideas that you can use in your own workspace. It they do, leave a comment and let me know about it.
Want your ErgoDox keyboard to feel like a Kinesis? Sure you do. Read on.
This is a long how-to post. If you want to skip over the “why” and go right to the “how” jump to the last section.
In this post:
- The Field: Introduction to the two finest ergonomic keyboards ever made, and why you want them to feel the same.
- Changes I made to my Kinesis layout
- Changes I made to my ErgoDox layout
- How to configure your ErgoDox to feel like a Kinesis
Many aficionados of ergonomic keyboard design believe the Kinesis Advantage is the finest ergonomic keyboard ever made.
It may look weird, but I can state from firsthand experience that those oddly warped key wells and offset thumb clusters really do fit the human hand far better then any other keyboard I’ve used, and the Kinesis, remappable and available with two types of switches, a variety of key cap options, and out-the-box QWERTY and Dvorak layouts, is a joy and revelation to type on.
It even supports a foot pedal you can use for say, a shift or control key (cool but I use a standing desk.)
But now, thanks to the rise of maker culture and the open source community, there is a new contender for the throne: ErgoDox.
ErgoDox lacks the form-fitting key wells of the Kinesis, but makes up for it with some interesting features. For a start, it’s smaller and more portable, it allows users to customize spacing between hands and the orientation and “tenting” of each hand.
Many people choose ErgoDox just for this flexibility, but in addition, it’s an open source design, so you can custom-build your own from scratch, assemble a kit sold through MassDrop, or buy factory assembled units from ErgoDox EZ. You could also take inspiration from the ErgoDox open source design and come up with something new of your own (Keyboardio is coming out with a very similar, but non ErgoDox design you might find interesting).
This is customization almost unparalleled in the history of consumer goods. You can choose from a bewildering array of keyswitch types, keycaps, and keyboard layouts. One fellow skipped the ErgoDox controller and instead soldered each of his two half keyboards to wireless keyboard controllers hacked from a pair of cheap Logitech wireless keyboards and synced to a Logitech Universal USB dongle. Others have mounted their ErgoDox into a homemade housing with a trackball in the middle. To each his own, literally.
Me? I bought a commercially available unit from ErgoDox EZ. This is your standard design in a top quality ABS plastic case, with ingeniously designed tenting feet. I bought it with a blank keyboard for a couple of reasons.
First: due to economic constraints in the manufacture of keycaps, you pretty much have to choose between flat printed keycaps and sculpted blank keycaps. Sculpted keycaps have different heights for different rows, slightly more ergonomic and more like the Kinesis, but it’s not economically feasible for manufacturers to make printed sculpted keys given all the height-label combinations.
Two: I’ve been touch typing since I wrote my own typing instruction program in high school. Typing on a blank keyboard is only daunting at all because control keys vary from keyboard to keyboard. So as long as I configure my ErgoDox EZ to have the same layout as the Kinesis, typing on blanks should be fine. Typing on labels that don’t match the keys, however, would drive me batty.
So I got the Kinesis first, carefully adjusted my workspace to minimize wrist strain, and used a free typing instruction program to cure some old bad habits and train a few keys I never quite learned by touch (I’m looking at you, queball.)
Kinesis is fully remappable (and even available with Dovorak keycaps) but I’m sticking with QWERTY (which is really called Sholes) because that’s the defacto standard, I have to live on Earth, and it makes very little difference anyway as far as speed and accuracy. I also am pretty conservative when it comes with customizations, just because I’m lazy (laziness being the highest achievement of human civilization) and any customizations I make, I will sooner or later have to support.
1> That being said, there is one key that needs to be banished from any
computer keyboard before it’s fit for human use. That would be, the excrementally anachronistic caps-lock key. Now, there are those among you who will defend this old standby, and to you I say STOP YELLING at me! A computer needs caps lock key like an elevator needs an attendant to open the door for you.
We have styles! And electricity!
To the touch typist, caps-lock is nothing but a land mine you hit when you overshoot the “A” that then ruins the next few words and throws you out of the flow. Many people remap caps-lock to be an additional control key, but that’s even worse. Hit it by mistake and you’ll knock the computer into some alternate mode of operation and do no telling how much evil. No, the only safe thing is to just turn it into another shift key and be done with it.
2> Also, I’ve never seen much point in the OS key, a key that, let’s be honest, only displays a menu you are going to select from using the mouse. I do like having a delete available to the right hand, though, so done and dusted.
The ErgoDox also is easily customizable–so much so this could easily be daunting. Where the Kinesis just toggles between the normal and keypad layers, ErgoDox can define multiple layers. Where Kinesis lets you easily reassign any key from its standard position to an alternate location just by hitting a few buttons, ErgoDox lets you remap the whole keyboard using a graphical editor. Heck, if you want to, you can download the firmware source code and program it to recite the Star Spangled Banner by flashing the LEDs in Morse Code.
I opted for the simple approach, using the free GUI configurator to set up a Kinesis-like layout. Below I’ll show you how easily you can do the same, but first, here’s the layout:
Notice, the ErgoDox has some extra keys. Two extra columns are placed above the thumb clusters, and I’ve used these to enhance media control and editing. I put the mute on the right so that I can comfortably alt-tab with my left to switch applications. Later I might consider building a firmware image from source code to use the ErgoDox’s tap-hold functionality, but for now it’s not worth the bother. I put extra delete and backspace keys on the right too since I know my error rate will be higher on this keyboard.
The additional lower left key is used to restore the OS key (which actually works and is all but essential in the version of Fedora I run on my laptop
where I plan to use ErgoDox). The lower right key is used to load layer 1 (the above is layer 0).
ErgoDox has extra keys but is doesn’t have any function keys. These are occasionally needed, so I’ve placed them on layer 1, and the numeric keypad on layer 2 (see my full config on MassDrop for details on those layers).
* If you must know, I do have a caps-lock key on layer 1, where it’s a good deal harder to hit accidentally.
ErgoDox supports layers using a stacking metaphor that frankly, is only going to confuse you when you try to use it. Instead, just remember this: the lower right key advances from the alphabet layer to the function key layer and on to the num pad layer. The lower left key, on any layer but the alpha layer, returns to the alphabet layer.
There. Simple. Now I can move back and forth between my Kinesis and my ErgoDox with the minimal possible change to the touch-typing experience–and so can you.
These instructions are for the ErgoDox EZ but should work equally well on any ErgoDox using the Tweensy controller.
- Open my Kinesis-emulator ErgoDox layout in the free MassDrop configurator and save it as a .hex file on your computer. You will need to register for MassDrop to do this. I’ll be happy to email you my .hex file if you like, but MassDrop it free and well-reguarded, and the configurator will let you save my design as a starting point for your own.
- Download the Teensy Loader app most appropriate for your operating system. This is the tool you use to upload the keyboard layout to your ErgoDox.
- With the ErgoDox plugged in, run the Teensy loader program.
- Press the “Teensy reset button” with a paper clip. On the ErgoDox EZ, this is a tiny hole in the upper right of the right keypad. You can configure a key to act like pressing this button, but honestly, why?
- Drag and drop the ‘.hex’ file onto the Teensy loader window.
- In the Teensy loader, click the “Auto” button. You should briefly see a progress bar as the update is loaded to your keyboard.
- I’ve seen other instructions for doing this that involve more steps (and may possibly be the result of needless complication). If you find that my instructions don’t work, please leave a comment.
- That’s is. If for any reason the keyboard doesn’t work after this, just unplug it and plug it back in. You’re updating the keyboard layout data, not the firmware, so there is only so far it an go wrong.
I make no guarantees or warranties, of course, but it’s pretty bullet proof. If you run into any trouble, ErgoDox EZ has links to all the support info you could ever want on their site.
Let me know how it works out in the comments.
The Kinesis is not cheap and it’s not perfect. I’d like the key wells to be further apart and more highly tented. I’d like the home row keys to have tactile nubs (though it’s less essential than you might think owing to the key wells, and they omitted it to simplify remapping). The top row of function keys are not standard 1×1 mechanical switches but these little rubberized doodads that many people hate. That actually doesn’t bother me (how often to you use them really?) but I wish they were turned away from the fingers to make it harder to accidentally hit them while typing. I’ve turned on the embedded numeric keypad once so far, and that is a huge pet peeve of mine-functional overloads that lurk in otherwise good designs, waiting like landmines to kill your productivity at the least opportune possible moment.
In my opinion, keyboards should not have num-lock, scroll-lock, or caps-lock keys. These are land mine attempts to shoe horn in functions better served in other ways. However, I can’t complain in this case. The Kinesis has a built-in micro-controller that makes it super simple to remap keys. I turned the hated caps-lock into a more conveniently located control key and the utterly superfluous “Windows Key” into a convenient redundant backspace. I cannot eliminate the “keypad” key, but if it turns out to be a problem, I can remap all the keypad numeric keys to their proper alphabetic values. I may also eliminate the cursor arrows (which have no business being adjacent to alphabet keys where they can be inadvertently struck.
All-in-all, I’m loving the Kinesis, and cursing it surprisingly little. I’ll post an update after I’ve had time to get fully up to speed and finish integrating it into my workspace.
What do you think? Have you gone ergo? Has it helped? Have any questions about the Kinesis or what to look for before buying one? Leave a comment. I’d love to hear from you.